Tag Archives: Jefree Shalev

Pictures of Home

Our Shared Past blends the personal and universal through the prism of family

["It Was Supposed to be Fun." All original images courtesy of Jefree Shalev.]

[“It Was Supposed to be Fun.” All original images courtesy of Jefree Shalev.]

["A Few Years Later," photograph by Carolyn Brass, 2013.]

[“A Few Years Later,” photograph by Carolyn Brass, 2013.]

The phenomenon of memories can be as slippery and ephemeral as the combination of passing time and thought that lifts them into our consciousness. Does every memory that we keep carry with it some importance and resonance? Why will one recollection occupy our lives while others are overlooked, dismissed or forgotten altogether? Refined through the spectrum of our feelings and emotions, the past can bring us joy, resentment, and even mislead us completely. When combined with nostalgia, that seemingly-universal longing for what can no longer be experienced, a remembrance can even turn into a kind of memorial. Nostalgia can be likened to a funeral where time is buried, yet we still insist on revisiting the headstone, in some weird hope of deciphering these memorials of our past.

And if there is an even greater collective resemblance of memory, it is that they are generally tied into relationships; reveries which seem tethered to our connections to lovers, enemies, our own place in the greater universe, and invariably family. Continue reading

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Material Flow

Marcus Kenney streams his vision through mixed-media with Shed My Skin

["How to Make a War," mixed media, 48" x 48"; 2007.

[“How to Make a War,” mixed media, 48″ x 48″; 2007.]

The singular artwork of Marcus Kenney is as mercurial and ever-changing as the media he employs. Equally adept at disciplines including collage, sculpture, painting, photography, and installation, Kenney’s work is at once personal and transparent, inviting the audience to navigate his imagery of animals, family, and political musings. Colorful and modified taxidermied wildlife, agitprop collages, and enigmatic black and white photos are all fair game to be hot-wired in Kenney’s creative universe.

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