Category Archives: art

Body of Art

“Deformance Artist” Liz Gibson cuts a striking figure of creative empowerment

(Liz Gibson as “Three Legged Fox”)

Confessional storytelling, visual art and full-blown imaginative possession disguised-as-performance seek union in the world of Liz Gibson. The self-described “Deformance Artist” uses characters like Three Legged Fox and Ben Wa Betty to invite the audience into captivating events that chronicle Gibson’s personal life story of deformity while touching on universal themes of alienation, adversity and ultimately hope. A native of Western Pennsylvania, the 38 year old artist and educator was born with a deformed right hand featuring two fingers. Over the past decade plus, it is a disability that Gibson has explored, celebrated and even fetishized to the point of that word’s original definition – imbuing her body’s unique story with an almost mystical fervor that is tempered by the artist’s inquisitive, personable and humorous nature. Her two most summoned characters are extreme dual archetypes of Gibson’s interior realm sent out to explore our world. Three Legged Fox is Gibson’s tender persona, an innocent suddenly realizing that she is not like the other children. Ben Wa Betty is the sexualized form of that same self-conscious sense of difference, a brash adolescent intent on shocking and even terrifying the audience. Gibson creates these characters from the ground up, spending months writing the original script, planning what she calls an “immersive experience” with an obsessive attention to detail that ranges from tirelessly rehearsing her lines to designing and making her own costumes.

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The Plague of Memory

Edison William combines reverie with photographic skills into his own personal blend of “photostration”

(“Wrong Vacation Bill”)

Edison William layers memories and dreams into evocative images of impossible landscapes. While the 29 year old artist Jacksonville-based almost cringes at being categorized as a photographer, William chooses to work solely in film (and in his case the almost-cloistered medium of color slide film) while also pushing the technology to its near breaking point in his approach to color processing, chemical treatments and extreme saturation. William’s work resembles a sort of travelogue for sleepwalkers, blending hallucinatory scenes of nature where clouds dot the earth and trees hang down from the sky, a counter clock realm with humans reduced to a phantom-like phenomenon, while horizons bend like frowns and our perceptions can no longer be trusted. His work has been featured on posters and releases for local indie bands Opiate Eyes and Personal Boy, while William (born Bill McGee) is also a musician and sonic collaborator with members of the aforementioned groups. Continue reading