Tag Archives: Crisp-Ellert Art Museum

Game of Thrones

Artist Lee Walton has got you all in check with his upcoming mass chess challenge

[Screen still from Lee Walton's video "Mato Jelic."]

[Screen still from Lee Walton’s video “Mato Jelic.”]

While the art world can be competitive, Lee Walton certainly has racked up some impressive stats. Walton attended undergraduate programs in Sonoma State University, Chico State University, and finally San Jose State University; where he received his BFA. In 2000, Walton then garnered an MFA from the California College of Arts. Since then, the now-39-year-old multimedia artist has been featured in 20-plus solo and group exhibits in venues ranging from Manhattan’s legendary White Columns gallery space to the innovative Raygun Project Space located in Toowoomba, Australia. In the past decade, Walton has also been invited to deliver artist talks, participate as a panel member, and facilitate workshops on such highly-contemporary topics as experiential art, social media, public engagement, psychogeography, and game play in venues including Carnegie Mellon University, Parsons School of Design, and MIT. Walton is currently an Associate Professor of Art at the University of North Carolina at Greensboro. Continue reading

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Circular Motion

Liz Rodda explores belief, fate, and the unknown with Clockwise

[Liz Rodda's, "Plan For Victory," black jade icosahedron, 16 millimeters.

[Liz Rodda’s, “Plan For Victory,” black jade icosahedron, 16 millimeters.]

In the past decade, Liz Rodda has been creating a body of work that is seemingly guided by a compass magnetized with forces of self-inquiry, notions of providence versus powerlessness, and anchored with a healthy measure of skepticism for the uncertainty of what lies ahead. Yet Rodda is hardly a humorless pessimist but more akin to a savvy pragmatist gifted with the natural, open-ended approach of a truly multimedia-based artist. Through video, sculpture and two-dimensional works, Rodda scrutinizes, celebrates, and even satirizes the shared human experience of the inevitable, forging her ideas out of uniquely signature materials. Are we masters of our own destinies, even favored by fortune, or merely another innocuous article pulled along with the rest of the rising and falling waves of an impartial Universe? Are we participants and even co-creators of our lives; or simply observers deluded by belief? In her upcoming show Clockwise, Rodda uses the motif of the circle to investigate and question “the intersection between what we believe and what we know as well as the degree to which thought can direct the outcome of experience.”

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